Start practicing your jazz hands

The Vancouver International Jazz Festival is in full swing.

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Went with my ladyfriends to see Vancouver’s Brasstronaut at the Commodore.

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Which was like a reunion of sorts.

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Because Laura, Ashley and I have known lead singer Edo Van Breemen since elementary school. We’ve been good friends with his sister since the first time scrunchies and spandex were cool. (Wish you were there, Elke!)

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And I realize that I am completely biased, but Brasstronaut was absolutely amazing.

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They were animated, they sounded even better than they do on their album, and they were downright fun to watch.

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Wore a vintage dress that may very well have belonged to your Great Aunt Helga. And I’m not kidding. Just look at what it looked like before.

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Wore it with flat boots. Always flat boots at concerts (dancing shoes, ya know?).

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The Vancouver International Jazz Festival runs until July 4th. Go! Take your friends! Have fun!

P.S. Put your jazz hands to good use and follow The Anthology on Twitter.

I’ve been to Shakespeare’s Globe in London

And I’ve been to the Oregon Shakespeare Festival in Ashland. But I had never been to Bard on the Beach in my very own city. Until now.

Went to their production of Antony and Cleopatra this weekend (loved it!) and learned a few things from the experience:

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1. Date night at Bard on the Beach > date night on the couch. Got that, gentlemen?

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2. Tents have roofs. So even if you go on a day that’s less spectacular than this one, you don’t have to worry about a little Vancouver sky water ruining your night.

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3. Cleopatra might be your next girl crush. She is a is a feisty, captivating woman (played by Jennifer Lines, pictured centre, with Almeera Jiwa and Sarah Afful, photo by David Blue).

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4. Tents are breezy. So at the risk of sounding like your mother, bring your favourite vintage faux fur jacket with you.

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5. Cleopatra has more fake gold than you do. And she has more costume changes than Cher. Costume designer Mara Gottler did a beautiful job.

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6. Vancouver makes the most beautiful backdrop you could ask for. I’m sorry London, my apologies Ashland, but it’s true. (Photo by David Blue.)

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7. Seats are cushy. I stood for all three hours of Romeo and Juliet at the Globe (which was amazing, actually) but you won’t be on your feet at Vanier Park (just make sure you get there early enough to reserve seats — they aren’t assigned).

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8. Unless you speak Shakespeare fluently, you’ll want to read the synopsis beforehand. My husband didn’t and at one point, he leaned over to me and whispered “I understand about two percent of what’s going on.” (He crammed during intermission and was fine for the second half.)

9. You can eat licorice allsorts in the theatre! Some of us find that very exciting.

Antony and Cleopatra plays until September 24. Have you been to Bard on the Beach? What did you think?

That’s Marcus Antonius to you

Bard on the Beach has brought the epic Antony and Cleopatra to the shores of English Bay. And I’ll be there this weekend through the battles and the betrayals, the wigs and the eyeliner.

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And I am pretty darned excited about it.

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The story of the Queen of Egypt falling in love with the first Emperor of Rome is so meaty, even the SparkNotes are beefy (have I read the complete play? Not yet.).

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But I have Ancient Egypt on the brain. So I started gathering stills from 20th Century Fox’s 1963 epic Cleopatra for inspiration. And Elizabeth Taylor, in her 1960s costumes, does not disappoint.

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Seriously, how gorgeous was she? And how much do you want that headdress?

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I’m all for any production filled with love, lust and lots of fake gold. And Bard on the Beach promises plenty of that. Antony and Cleopatra plays until September 24th.

I’ll be tweeting while I’m there so follow me here.

(Images from 20th Century Fox.)

Inspiration comes from the darnedest places, doesn’t it?

Take, for example, the story of an IRA asassin.

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Not really something you would expect to inspire wardrobe choices.

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But I’m reading A Star Called Henry (the first book in Roddy Doyle‘s Last Roundup series) and I find myself wearing Irish-inspired tweed.

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Like this vest. (And if it weren’t summer, I’d probably be wearing my tweed hat with it.)

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Funny how that can happen, isn’t it?

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So how did the book inspire this scarf? Who knows. But it’s one of my favourites. And come to think of it, the book is quickly becoming one of my favourites too.

P.S. Since we’re talking about books — add the Anthology on Facebook!

No. Big. Deal.

I just made my own moccasins.

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Totally average weekend activity, right?

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You get together with your girlfriends, you drink mimosas on a sunny patio…

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And you make your own shoes.

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Whatever.

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It was all part of a workshop taught by the very patient, very talented Dan of Rickard Guy (who’s moving to New York soon, mes amis, so if you want in on the shoemaking action, make like a kangaroo and jump on it).

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He walked us through, um, step by step — from picking our leather to threading our laces. Just look at that craftsmanship.

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It floored Leroy, that’s for sure.

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I haven’t actually taken them off since I made them.

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(Unless you count the Juvenile Diabetes walk, I rocked my runners for that.)

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Another thing I haven’t taken off?

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My bangle, which made the journey all the way from India (thank you, Anji!).

No. Big. Deal.

P.S. I sew love it when you add me on Facebook.

What are you doing this weekend?

Fighting juvenile diabetes? Well, what d’ya know, so am I!

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This Sunday I’ll be at the Walk to Cure Diabetes with nine-year-old wunderkind Jack Stuart, who has been battling the disease since he was five.

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But that’s not all I’ll be doing.

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There’s also a Rickard Guy moccasin workshop (photo by Michelle Ford).

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An old roommate’s art show, dinner with friends, dinner with family, bridesmaids dress fittings and fun things like that.

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And you better believe I’ll be carting around this hippie dippy bag (nabbed from my sister, who found it in Thailand) because it’s been going with me everywhere from Coachella to the Commodore.

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But back to Jack — if you want to help the mini man fight diabetes, you can join his team or pledge him here. See you on Sunday!

There are no palm trees at the Commodore

And it’s not 100 degrees in Vancouver, either. Shocking, I know.

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But in my mind The Temper Trap’s set (at the Commodore the other night) kept bringing me back to sunnier, sweatier times.

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Because the last time I saw the Australian supergroup we were in the middle of the California desert at Coachella.

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In other words, a far cry from a dreary Vancouver evening. (Get it together weather, it’s June, for crying out loud.)

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It doesn’t mean you can’t wear shorts and your favourite hippie-dippy purse. It just means you’ll be carting around an umbrella instead of a water bottle.

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And that instead of wearing a flowy dress, you’ll be wearing a men’s shirt belted with whatever belt you happen to love at the moment.

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And your wrist will be wrapped in a pirate-themed bracelet. Why?

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Because if there’s one thing my love of cheesy pirates has taught me — there are palm trees on desert islands. And you’ve got to keep the dream alive somehow.

P.S. Twitter is a tropical destination of sorts. So follow me.

Madama Butterfly, the memoirs of a geisha

What a way to end the season. Vancouver Opera’s take on Puccini’s classic Madama Butterfly is beautiful and brilliant, not to mention, brightly coloured. And I was there to blog all about it (nerd alert!).

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Before taking our seats, opera bloggers John, Gus, Stacey and I had a backstage tour. We weren’t allowed to touch (or twirl) these parasols, but let me tell ya — what looks like simple corrugated plastic backstage makes for dramatic props on stage.

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And I loved every psychedelic-shaped, primary-coloured inch of it. (Photo by Tim Matheson.)

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Looking like the set of a sixties game show (can’t you just envision it filled with dancers doing the Austin Powers?), the stage’s swirls have been known to cause vertigo in those sitting in the balcony.

But we were sitting front row, centre. (Surtitles be darned — sitting that close means you can see the singers’ throats quiver).

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This visual spectacle is the work of set and costume-designer Jun Kaneko, a Japanese-born sculptor at the forefront of the contemporary ceramics movement. (Thanks, Vancouver Opera, for the photo.)

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So what’s the story? A beautiful fifteen-year-old geisha falls in love with an American sailor and sacrifices everything for him — her family, her friends, her religion, you name it. He marries her, but then leaves to return to the States, (didn’t her mother warn her about guys like that?) and she gives birth to his ridiculously adorable child.

Three years later, he returns to Japan to take their son to the States, leaving Madama Butterfly behind. She is in such despair, she… well, I won’t ruin it for you. (Manga by Roy Husada.)

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Coincidentally I wore a sixties dress, but less mod and more Aud(rey). And that means it’s official: I have not worn a single dress from this millennium to the opera this season.

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First, there was the eighties number with the crinoline, then there was the eighties number with the shoulders, then there was the fifties wedding dress and now this. Plus, last season, I rocked this significantly shorter sixties dress.

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Even though this is the end of the opera season, my friends, there are still five performances of Madama Butterfly if you want to get in on it.

P.S. Make like a social butterfly and add me on Facebook.