Style and Fashion

K, that’s a bit of an exaggeration. The skirt’s not quite electric blue, it’s maybe a shade or two darker.

It’s vintage and it was long. Like really long. Like flowy, ankle-skimming long. Until I had my way with it.

My belt came from another dress. I rarely wear the belt that a skirt/dress/sweater came with (don’t ask me why). But I will wear that belt with another piece.

The sandals? They’re my sisters. The necklaces? Inspired by Mr. T.

Aaaaaand, in case you missed the After Show on MTV last night, you can watch the show featuring our (ridiculously embarrassing) birthday message for Jessi here. Happy birthday, Jess!

That’s life in sequins.

Found this cardigan at the antique fair where I found my men’s battledress jacket.

My jeans are Rock and Republic, but every time I wear them I think of Mr. Green Jeans. (Did you grow up watching Captain Kangaroo? Was that just a Canadian thing?)

Beezie requested close-ups of these boots (they’re the same ones as in this post, they just don’t slouch as much when I’ve tucked jeans into them). So, my friend, here you go.

Comfiest boots ever.

my puppy has, maybe then I could beat him at tug-of-war.

As it stands, I resort to dressing in bright colours to give me a burst of energy on cloudy Vancouver days.

The beautifully multicoloured shirt is Thakoon for Target. (How brilliant are Target’s collaborations? I envy all you Americans who have such easy access to them.)

Love all its colours, but especially love the neon green that’s the exact same shade as Leroy’s favourite (filthy) squeaky toy.

My boots are from Umeboshi. As I type I can hear the baby beast squeaking that cursed frog in the backyard.

In this case, the colour is brown, such a rich, warm netural. And the textures: wood, beads, leather and then some.

The wooden necklace is from a woman’s group church sale (those are the best for finding vintage pieces). And I hate to admit this, but I don’t remember where the other two are from (you know you have too many accessories when…).

The moral of the story is: I like how they all look together. You can get away with layering way more statement pieces when they’re all variations on a theme.

Like my suede vintage belt. 

And then I added a splash of red via my favourite eel skin purse with its perfectly 80’s gold chain.

I have quite a collection of eel skin, actually. It’s the softest, most beautiful texture in the world. So in that case, I’ve got many colours, one texture.

So long, in fact, that this pink vintage piece was actually supposed to stay a dress (it was a knee-length number originally).

I got a little aggressive with the hemming and this length would be all sorts of inappropriate if I didn’t wear pants underneath.

So now it’s a pretty rad top with bow-tie sleeves.

My vintage clutch is that perfect size — not so big that it loses its elegance, but big enough to hold my wallet and camera and everything else I cart around with me.

Not to mention the fact that it’s got enough razzle dazzle to last a lifetime.

Well, wedding, technically. That’s where I wore this the night after flying home from Istanbul.

Has a bit of a 1950’s housewife feel to it.

Like I should tie on an apron and serve fresh-baked cookies.

The print is bold enough to make my power ring seem understated.

I bought in the Grand Bazaar in Istanbul. It’s supposed to say something that offers me protection. 

All I know is it’s a lot of fun to wear while typing. And baking.

A guest post by the lovely La Couturier whose beautiful, stylish blog is always très amusant.

Sometimes I wonder why we get dressed in the morning.

Aside from decency’s sake, of course. Clothing is one of humankind’s basic needs – a bare necessity, so to speak – worn for modesty (at least for some of us), for warmth, and for self protection from the nakedness of vulnerability. Yet through the something thousand years of centuries past, clothing has become more than just a source of shelter for ourselves; instead, it has evolved into a distinctive reflection of ourselves, as individuals, and citizens of a community and its culture. Specific regions are now associated with a unique look, representing a nation, a city, a culture.

And among the list of the most prominent is the highly coveted, effortless, but inimitably coquettish look of the Parisian women. Surely we all fantasize dressing as such a woman, but the Parisian coquettes and likes of Clemence Poesy and Carine Roifeld can limit ourselves from the braver of fashions. Take New York, for example. The perfect juxtaposition of the punk-neon-bright and without inhibitions and subtle sophistication and sexiness of Paris. Of course this is all in my personal opinion; conclusions I’ve made based upon visits to both cities and endless (yes, endless) hours spent on streetstyle blogs. My disclaimer is but the usual: I am no expert of fashion, merely a seventeen year old girl who muses and mulls over fashion. And loves it.

Excuse my digressive tendencies, and back onto the original topic of New York. The fashions in it exhibit a great mix of who women are; yes, there are excessive amounts of black-clad pedestrians (I myself, a non-New Yorker, am guilty as charged) rushing about the sidewalks. Yet another generalization I’ve made about city-wide dressing, but the dominance of black cannot be ignored. The color is iconic, symbolic of the seriousness of Wall Street, the practicality of the bustling commuters, of the timelessness of classicality in the city, and a hint of dark but demure sexiness. The excessive amounts of black also make it much easier to imitate; the basics include, but are not limited to: patent pumps, strappy heels, opaque tights, little black dresses, pencil skirts, blazers, double breasted wool coats…

At the same time it seems as if New Yorkers are less inhibited, even if black seems to be omnipresent, and their clothing seems to mirror the corporate nature of Wall Street with the prevalence of menswear-inspired fashions. Embracing trends – the punk-rock inspired women who still look so sophisticated, the grunge-chic, the everything that has potential to look crazy but made chic. Women aren’t afraid to experiment, to stray from the “norm” of societal dressing: a bit more liner than usual, brighter lips, a vintage piece, etc. So long as a bit of that black is incorporated into the ensemble to tone down any of its crazier elements: a black coat, blazer, opaque tights, pumps, the likes.

And what makes these New Yorkers subtlety yet entirely different from the Parisians and Londoners and all other major cities is that those who are tourists of NYC say women are much more “put together”. For better or for worse, really. Parisian women embrace the au naturel face and slightly disheveled hair approach with beauty products. Londoners have no fear in trying the latest and wildest of fashions and beauty looks. But those of New York City always look perfectly done: flawlessly coiffed hair, blown out or curled without a frizz, French manicured nails, with an entire ritual of morning makeup.

One last touch of lipstick, gloss, and mascara. A loose tank tucked into skinny jeans, with a satin-trimmed blazer (black, of course) and black patent pumps. I grab the black Balenciaga motorcycle bag I’ve filched perpetually for myself from dearest mother and run out the door.

I get some looks, both in admiration (or so I hope) and quizzical glances. Do I dress to pretentious for my age and for New Jerseyans? Perhaps. Perhaps if I were to someday live in New York City I’d fit in without a second glance.

Perhaps.

Thank you La Couturier for making me want to head straight to NYC.

All images by the incomparable Scott Schuman who started the Sartorialist as a tribute to stylish New Yorkers.